Cinetech, are you looking for on-site lab workers only or are you comfortable with out of state artists Fed Ex-ing their completed work to you for some of the work? Would you be comfortabl shipping out life casts for some of the work, or will the need for everything being integrated and the preproducton schedule make this too difficult?
Personally, I like to be able to take a peek over people's shoulders once or twice during the process, but you'll get more responses if some of the work can be mailed in when completed.
Best of Luck!
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Jeff F - Moderator
Magic and FX
Amazing the Masses
For the opened chest effect, I am using castings of a real human rib cage, which I am sculpting to add all of detail of the torn areas, but for the guts, you really should'nt use real organs. For the intestines. I bought three long broom handles , which I coated with 15 coats of stippled on latex (Drying between each coat).
After those are dry, I powder and peel them off ( Powder the inside too) . I airbrush them with very thin washes of Grey, purples and Mauve colors and then fill them with a watery gelatine mixture and tie them off at the ends. They look totally realistic, even upon close inspection. For other realistic internal matter in the body, I take four large plexiglass sheets and lie them on my lab floor and stipple about six coats of latex over them, using three different tinted latexes (With food color) I make one a bright blood color, one a dark blood color, and one clear, with no color added. After its dry, I run my fingers over it , creating scores of holes and areas that look like viens and tendons. I then powder it (Both sides) as I peel it up. This stuff is great for stuffing into body cavities. I like to ta some of it and glue it up uner the ribs and strech it down into the mass of organs for a gross webbing effect.
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Jeff F - Moderator
Magic and FX
Amazing the Masses
maybe i'll build a skeletal arm just for the hell of it now
later
TOm
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