posted 02-18-2001 02:59 PM
I hoping the Likeastory crew can help me with a physical effect that frankly has me stumped. I've been thinking about it and thinking about it, and all of a sudden I'm only two weeks away from having to shoot it, and I have no idea how to accomplish the effect. I will be deeply in all of ya'lls debt and will gladly include a Likeastory credit if you can help me.The action:
INT. THE HALLWAY - MORNING
...And we follow him into the hallway but wait as he continues on into his bedroom. Through the open doorway we hear CLOTHING RUSTLING, and when he comes back into view he is wearing his sport coat. He stops for a moment in front of the full-length mirror next to the door to scrutinize his appearance, then comes out of the bedroom towards us. Halfway down the hallway he suddenly stops, a look of consternation on his face.
NOLAN'S POV OF THE WALL AT THE END OF THE HALLWAY.
A flake of paint has separated itself from the wall at about eye level. It is small, only about the size of a dime, but we can tell from the look on Nolan's face that its size is irrelevant.
ECU OF NOLAN'S FINGER GINGERLY TOUCHING THE FLAKE OF PAINT.
With a sudden, audible SNAP it drops away in a hand sized sheet, revealing the awful puce color of the wall underneath. CUT TO the humming clock in Nolan's bedroom.
That's the sequence. I figure there will be three shots of the flake of paint: (1) Nolan's POV from about five feet away of the end wall and the flake of paint. (2) An extreme close-up of the paint chip, with Nolan's finger entering the frame to touch it. (3) An over-the-shoulder as Nolan touches the paint flake and it drops away.
I think it would be possible to cheat the wall - i.e. make a piece of false wall, if that would help.
Can anyone help me with this effect?
[This message has been edited by Pheral (edited 02-18-2001).]