How do I get a distributor to pay for HI-8 to 35mm conversion?

How do I get a distributor to pay for HI-8 to 35mm conversion?- How to make Low Budget Special Effects


  Like A Story Filmmaking Archives
   ARCHIVE 2 (LBSE General)
  How do I get a distributor to pay for HI-8 to 35mm conversion?


Author Topic:   How do I get a distributor to pay for HI-8 to 35mm conversion?
skarekrow
posted 12-15-1998 03:42 PM           
Some background first : I am filming a movie on HI-8, which is nifty - but I have a feeling nobody will want to look at it - or even consider me a serious filmmaker without filming on 35mm. Just look at JR Bookwalter - "Ozone" was REALLY impressive - kind of like a really low budget Cronenberg - anyhow - it really didn't get him far being shot on video...I think he's editting Puppet Master 4. With his background he should be filming major motion films by now. So as I see it - to be taken seriously I have to transfer from HI8 to 35mm and keep it a secret. This will cost around $25,000 - $30,000. I am filming around the premise that this will one day be possible. I have adjusted my frame rate, shot 6x9 to fake 1.85 aspect ratio, kept the talent and camera moving slow and steady, and so on... for a good transfer.

Once the film is finished - how should I proceed with distributors? I do not admit I shot on HI-8, which means I have to pull money from them to finance the final 35mm product.

1) My first impulse was to go to a distributor/investor and tease them with half the film... I would then say I need some more money to fund the rest of it. I
would make no mention that this was being shot on HI8... The funds they give me would be used to transfer the film to 35mm...

2) Another idea I had was perhaps to sell the foreign direct to video rights (The film will be dubbed in Spanish for the Hispanic market). I would then ask for a lump sum and give up an royalty fees as incentive to give me more money up front. Royalties are hard to keep track of from foreign countries anyway. If they don't send it - I'm not going to go there and demand it... The lump sum would be used to help pay for the transfer to 35mm. How hard is it to sell multiple rights?

3) If there is an "acceptable" digital format for the direct to video market - I may just go that route. Anybody know what format most direct to video distributors WOULDN'T scoff at? Some form of Betacam perhaps? That would be ideal, I suppose...I imagine it would be cheaper.

4) Maybe I could just rent a 35mm and film the TV <g> - I suppose developing and magazine costs would come close to the transfer cost anyway...

Any ideas? I've never dealt with a distributor before, so I don't know if I could possibly get away with any of the "deals" I want to make. Oh yeah, I should mention that PROFIT is not important. I am perfectly willing to break even... All I want is to end up with a distributed 35mm movie (from a HI-8 source) without paying from my pocket. I've spent enough money...

admiral
posted 12-15-1998 04:03 PM           
Well...
The problem is that a movie shot on Hi-8 and transfered to 35mm will look like a Hi-8 movie transfered to 35mm. There is no way the quality of Hi-8 can compare to 35mm.

No distributor is going to be fooled.

What would be the point of the transfer anyway? Maybe if you shot it on a digital format to start with, but even then it wouldn't look that good (though I have heard that the last Sundance festival had 2 or 3 movie shot on DV and blown up to film format).

You might want to look for a direct-to-video release instead. With the Filmlook process, or the equivalent, it might look alright.

di 4465
posted 12-15-1998 04:04 PM           
That is very hard to do but do not give up.First get a good film book on marking a movie distributor cheat us all the time.Barnes and noble are good places to shop for film books.You can also take your film around video store yourself try all you can.If they let your movie be in there store you will have to promote your movie yourself.Do not get scare you can buy time on some cable show cheap check it out,there is also radio time ask for deals.Make some poster to but in the store windows.Also how about geting your own web site and sale online, try quicktime to ad a movie trailer,linkexchange.Just try and try and try!!!!!

skarekrow
posted 12-15-1998 04:50 PM           
I have posters made up and various promotional packages - a web site, the whole nine yards - but for the sole purpose of promoting to distributors. The way I figure it is I can either waste my resources on the general public around my area (very small) or waste it on a distributor that can push it to a wider area. I am not naive - I realize that distributors are scum for the most part - however I still think it's the best route. Even if I get paid and the film never sees the light of day - I am happy. If it's a decent amount I can fund another project on 35mm...

Its the difference between going to a venture capitalist and going to your mommy. Which one will do more for you?

As for selling to local video stores, and so on - it isn't possible. I don't know if you've ever tried - but almost all video stores (around me anywa - I live on the border of 3 states) buy exclusively from a single distribution company. Even mom and pop stores and they never go to an outside source. Why? I don't know. Maybe they're locked in to a contract or something. As for selling direct to consumer - nobody is going to buy it unless it has some naked lesbians or something. I've been through this route before...the only people who shed out bucks are people who want to wank off...

That's why I just want to be distributed in to rental stores. That's ULTIMATE goal I suppose. Distribution in to stores and theatres is pointless.

Oh - and to answer Admiral :

HI-8 to 35mm look good if you do it right - and I got a lot of good advice from people who do it for a living. Once transfered the film does loose resolution - this is obvious...but it isn't in the pathetic way that I thought it would be. It looks like a 70's flick or an early 80's European reel. The new glossy Hollywood look is hard to achieve even WITH a 35mm camera.

Fooling distributors - !You're right! - perhaps I won't be able to "fool" them. However, if they don't say anything - I won't say anything. The whole idea is to keep the HI-8 thing a secret. Some time down the line when I make my next movie - nobody is going to actually WATCH it. They'll just confirm that it was made on 35mm and distributed by so and so. Boom - instant credibility as a filmmaker who has had a BUDGET.

It's kind of like a Bacheolers degree. For a basic BA job, nobody looks at what courses you've taken, or what grades you have, only that you've graduated from so and so Univeristy in a particular discipline. I know people who do the duty of hiring/screening and they only call the University to confirm graduation in that field. They don't even look at grades.

The point of trying to have a finished film on 35mm (despite what it may look like) is simply to advance in the industry. DV is equivilant to porn, my friend. Now you can choose to believe me or choose not to - It's still true. The life of a low res artist is not cool. While personally money and prestige is not important to me - it is a part of reality. You need it to continue doing what you want to do...

I'm sorry if I seem hostile. I've been through this conversation with many people... You get tired of it, you know.

Anyway - now that I've made my stance clear (this isn't directed to you Admiral - I should have stated earlier what my EXACT final goal was) - any help?

di 4465
posted 12-15-1998 05:56 PM           
Will you sound like you know what to do and not do.I will just say get a good film distributor book all you can get your hand on.You may pick up some tips also keep posting ask the board what is there horror distributor story or ask who they use.Just keep asking and trying hey let us know how it is going.

skarekrow
posted 12-15-1998 07:02 PM           
Guess that's all I can do, eh. I am hoping this topic will get some people who have been in the same situation. I just thought it would be nice to learn from other people's mistakes and successes before trying it myself. A little advice never hurts.

Thanks.

All times are ET (US)


...